Days of Thunder 2 arrives in June 2028, Hathaway runs the team

Days of Thunder 2 arrives in June 2028, Hathaway runs the team

Tom Cruise announced the sequel from Daytona and told the drivers' meeting about the day his camera car caught fire. Anne Hathaway plays a team owner and engineer.

Written by Beau Ackx

30/08/2026

Cole Trickle is coming back, and this time he is not the one in charge.

Tom Cruise spent Saturday at Daytona International Speedway. First came a photograph of himself and Anne Hathaway leaning against a stock car, posted to his own channels. Then he stood in front of the entire Cup field at the drivers' meeting. Days of Thunder 2 reaches cinemas on 2 June 2028, thirty-eight years after the film that gave him a racing career.

Days of Thunder 2 arrives in June 2028, Hathaway runs the team

Anne Hathaway plays a team owner and engineer, not a love interest

Hathaway will play a team owner and engineer, and that is the most telling line in the whole announcement. In the 1990 film the significant female part was Dr Claire Lewicki, the neurosurgeon treating Cole Trickle's head injury and, inevitably, falling for him. Nicole Kidman played her, met Cruise on set and stayed married to him for eleven years. Moving that role onto the pit wall, and giving it the authority to hire and fire the driver, belongs to a different kind of film.

Paramount has dated it for 2 June 2028 and is shooting for IMAX

Paramount will release the sequel on 2 June 2028, in IMAX, Dolby Cinema, 4DX and other premium large formats. Jonathan Levine, best known for 50/50, directs. Will Staples wrote the script, and Cruise produces alongside Jerry Bruckheimer, who made the original with the late Don Simpson, and Tommy Harper. The IMAX commitment is the part worth noting, because it signals racing that gets photographed rather than assembled afterwards.

Cruise told the Daytona drivers' meeting about the camera car that caught fire

Cruise used his slot at the drivers' meeting to describe what filming the original actually involved. He ran the backstraight at roughly 290 km/h with two heavy cameras bolted to the car, and the hood came off and the car caught light. "It turned from a barbecue to a bonfire on the backstraight," he said. He could not raise the crew because the radio did not reach out there, then asked the drivers whether that was still true. The laugh he got answered him.

The original took $157.9 million and became the reference point

Days of Thunder arrived in June 1990, directed by Tony Scott, written by Robert Towne from a story Cruise came up with himself, and took $82.6 million in the United States and $157.9 million worldwide. Robert Duvall played crew chief Harry Hogge, with Randy Quaid, Cary Elwes and Michael Rooker alongside. It was never the phenomenon Top Gun had been four years earlier, but it has aged into the film every stock car story gets measured against.

NASCAR barely registers in Europe, which is exactly the point

NASCAR remains close to invisible across most of Europe, where Daytona is a name people attach to the Rolex 24 rather than the Cup series. That is precisely why this is worth watching from here. The racing film is in the middle of a real revival and the pipeline keeps filling, with the Maserati brothers getting their own feature this year. A Cruise film shot in IMAX at close to 300 km/h will sell oval racing to a lot of people who have never watched a lap of it.

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The question is not whether Cruise can still do this at 65, because he plainly can. It is whether the sequel repeats the one trick the original got right: making speed legible. Tony Scott put the camera in the car and let the velocity do the arguing, and the story Cruise told at Daytona, hood gone, cameras bolted on, car alight, is that whole method compressed into one anecdote. Committing to IMAX is a promise to work that way again rather than build the racing in a server room.

The real risk runs the other way. A film about a hot-headed rookie has to become a film about a 65-year-old, and the lazy version of that is nostalgia with a better camera package. Handing Hathaway the pit wall, and the authority that comes with it, suggests Paramount has seen the trap. Cole Trickle should not be the fastest man at the track any more. He should be the one who has to listen to somebody else.

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